Midwestern born and raised, I first became aware of and intrigued by the storytelling power of the cinema in 1994 when I enrolled in Film as a Narrative Art with Professor Zoran Kuzmanovich at Davidson College in North Carolina. As an English major I took a concentration of courses in film analysis & production as well as creative writing. Not much of enduring value emerged, but a short documentary on a community of strippers (Choices, 1996, co-produced with Nathan Summerlin)  permitted entry into the fascinating world of a Charlotte double-wide gentlemen’s club and gave a first taste of documentary storytelling.


After graduation and three invigorating years teaching English and living in a tiny village in northeastern Japan, I began graduate school in Asian religions at Cornell University. I was deeply marked by the ethical questions and concerned by the great potential for harm that could and often did result from the practices of western filmmakers representing other cultures. Despite these misgivings, I hold out hope that cross-cultural encounters and the creation of compelling documentaries can be an ethical and even nourishing process.


When not staying up late editing, transcribing or translating footage, I am the proud father of a one-year old daughter and teacher of humanities at John Abbott College in Montréal, a wonderfully supportive and nurturing community of students and colleagues. Since 2005 I have taught courses on religious studies, Japanese culture and religions, documentary film and politics, north-south relations, and most recently, environmental ethics and campus sustainability. My teaching interests are all over the map but the core of what I try to do is increase awareness about the far-reaching consequences of daily choices  (our ways of consuming, thinking, and habits of being in the world) and inspire young people to become more fully engaged citizens who take the responsibilities and rights of civic life more seriously. I volunteer and am a member of the board of a dynamic, intergenerational meals-on-wheels organization with a rooftop garden (www.santropolroulant.org) and encourage everyone to become more informed about where our food comes from and maybe even grow some of your own.

I am a self-taught filmmaker, and have been working with film and video since 1995. I focus my energy on creating documentaries because they allow for a unique engagement with the world. Its my school, my play, work and exploration. I feel very fortunate to have this lifestyle. I love all the aspects of filmmaking and very much the fact that there are so many facets to this medium. I’m always wearing different hats to accomplish my projects. I most enjoy collaborative nature of filmmaking, a film never gets made by one person.


My first passion is the camera. I love the dynamics of the lens, capturing moments and playing with light. I most recently worked as director of photography on the feature documentary The Idiot Cycle by Emmanuelle Schick. This film looks at the links between cancer and both the petrochemical and genetically modified food industries in North America and Europe.


In 2007-08 I traveled in over twenty countries on four continents with my camera and laptop producing various personal projects as well as taking on professional contracts. Projects included three documentaries, two music videos and one instructional DVD. My approach was to share my skills in creating videos in exchange to learn new things such as the work I did with Panda, learning the art of Tai Chi and Chi Kung. My passion for permaculture brought me to Australia where i met the creator of the concept and also created a short video for one of the teachers of the course, David Arnold.


Returning home to Montréal I completed the film Shugendô Now, a feature documentary I directed, filmed and edited with producer Mark Patrick McGuire. This film is an experiential journey into the world of modern mountain asceticism of Japan. I am also co-director of Diversidad, a film that raises questions about modern agricultural practices and their impact on North-American communities.


My respect for the natural world and my belief in a more sustainable urban communities led me in 2006 to direct a documentary commissioned by McGill University’s Making the Edible Landscape. In that project we take a searching look at four cities on four continents that have chosen to integrate urban agriculture into urban planning. I have also created two short documentaries on the Montréal Rooftop Garden Project.


I continue to work with Moment Factory, a new media company that is more family then business to me. I am now in the process of filming interviews with Canadians across the country asking them engaging questions of what makes us Canadian. A challenge and opportunity for me to help this nation steer itself towards a place we all want to go. These interviews will be used for the next instalment of the Canadian Parliament show.


Other work includes Facteur Chance (2005) first prize and audience choice at Blitz 2880 festival, And Then a short film that won first prize at the 8mm Film Festival of Montreal 2005, Possible Fever (2004) (director of photography & editor), Hungry Ghosts (2003) (dir. photo. & editor), Halfway (2003) (writer & director), 5 Days (2003) (dir. photo & editor) and little people (2003) (dir. photo. & editor). Some more of my work can be found here.

Mark Patrick McGuire

Jean-Marc Abela

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